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YouTube將為創(chuàng)作者提供分成,挑戰(zhàn)TikTok短視頻霸主地位

YouTube還沒(méi)有透露它計(jì)劃如何在短視頻中嵌入廣告,。

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頂級(jí)創(chuàng)作者亞當(dāng)·瓦希德在TikTok平臺(tái)上的粉絲最多(達(dá)1,500萬(wàn)),,但他很高興能夠從YouTube短片中獲利。圖片來(lái)源:GREG DOHERTY/GETTY IMAGES

亞當(dāng)·瓦希德在TikTok平臺(tái)上有1,500萬(wàn)粉絲,,有60億YouTube點(diǎn)擊量,。他正從洛杉磯的家開(kāi)車前往棕櫚泉,,出席僅限受邀者才能夠參加的“YouTube創(chuàng)作”(Made on YouTube)峰會(huì)。然而,,瓦希德在TikTok上創(chuàng)作的內(nèi)容比在其他任何平臺(tái)創(chuàng)作的內(nèi)容都多,。通過(guò)在TikTok上發(fā)布制作精良的搞笑短視頻,瓦希德在該平臺(tái)上獲得了3.52億點(diǎn)贊,,去年賺了730萬(wàn)美元,,這些收入主要來(lái)自代言合同。

但瓦希德表示,,在上周YouTube宣布將開(kāi)始把廣告整合到Y(jié)ouTube Shorts中,,并為創(chuàng)作者提供45%的收入分成之后,他已經(jīng)準(zhǔn)備好將自己的內(nèi)容戰(zhàn)略重心轉(zhuǎn)向YouTube Shorts——YouTube上TikTok短視頻的競(jìng)爭(zhēng)者,。瓦希德告訴《財(cái)富》雜志:“這將改變游戲規(guī)則,。”

YouTube希望瓦赫德——以及其他博主——可以帶頭涌向Shorts平臺(tái),,幫助其在一場(chǎng)代價(jià)越來(lái)越高的影響力和網(wǎng)紅爭(zhēng)奪戰(zhàn)中趕上TikTok,。盡管瓦希德對(duì)YouTube的新項(xiàng)目充滿熱情,但其收入分成計(jì)劃是否會(huì)真正改變爆火短視頻的力量平衡,,從而向YouTube傾斜還有待觀察,。

許多創(chuàng)作者都將生計(jì)押在視頻爆火上,因此,,針對(duì)不同平臺(tái)進(jìn)行優(yōu)化絕非易事,。雖然專業(yè)創(chuàng)作者傾向于在每個(gè)平臺(tái)發(fā)布不同版本的內(nèi)容相同的視頻,以最大限度地提高受眾參與度和報(bào)酬,,但決定最先在哪個(gè)平臺(tái)發(fā)布視頻非常重要,,這可能會(huì)影響代言協(xié)議、點(diǎn)擊量和好評(píng)度,。

《財(cái)富》雜志采訪的幾位主要?jiǎng)?chuàng)作者稱,,YouTube的收入分成是一個(gè)可喜的進(jìn)展,但他們不會(huì)立即把所有內(nèi)容都轉(zhuǎn)向YouTube,。關(guān)于創(chuàng)作者需要做些什么才能夠讓自己的視頻有資格獲得YouTube Shorts的分成仍然存在許多問(wèn)題:創(chuàng)作者能否從最先發(fā)布到TikTok上的內(nèi)容中獲利,?創(chuàng)作者可以從短片廣告中賺多少錢(qián)?如果YouTube Shorts上的廣告是不能夠跳過(guò)的,,那為什么觀眾就可以在TikTok上滑走廣告的情況下觀看YouTube Shorts上的內(nèi)容呢,?

薇薇安·涂(YourRichBFF,你最要好的有錢(qián)朋友)說(shuō):“我懷疑分成到底有多少,?!彼膫€(gè)人理財(cái)短視頻在TikTok上吸引了200萬(wàn)粉絲,在YouTube上只有5.5萬(wàn)訂閱者?!拔掖_實(shí)認(rèn)為,,如果(YouTube Shorts)變得更有利可圖,你看到你的朋友或其他創(chuàng)作者取得成功并獲得收入,,那就絕對(duì)是值得考慮的事情,。”

YouTube的舉動(dòng)說(shuō)明了YouTube,、Snap和Meta等社交媒體公司所面臨的風(fēng)險(xiǎn),,這些公司的廣告業(yè)務(wù)都建立在吸引大量觀眾到其平臺(tái)的基礎(chǔ)上。網(wǎng)紅可靠的吸引力可見(jiàn)一斑,,而短視頻——大多在60秒以內(nèi)——是目前的爆款之一。

當(dāng)然,,TikTok在短視頻領(lǐng)域占據(jù)主導(dǎo)地位,。但這個(gè)中國(guó)的字節(jié)跳動(dòng)公司旗下、運(yùn)營(yíng)了五年的平臺(tái),,并沒(méi)有向那些爆火視頻博主提供任何有效的經(jīng)濟(jì)補(bǔ)償,,而且這些視頻的點(diǎn)擊量往往高達(dá)數(shù)千萬(wàn)甚至數(shù)億。涂指出,,她的收入中只有不到1%來(lái)自TikTok的創(chuàng)作者基金(Creator Fund),,這是該公司為每月點(diǎn)擊量超過(guò)10萬(wàn)次的博主提供的收入,但該公司并未對(duì)該收入做出明確規(guī)定,。TikTok沒(méi)有向創(chuàng)作者支付報(bào)酬,,這為市值1.3萬(wàn)億美元的Alphabet集團(tuán)旗下的YouTube創(chuàng)造了機(jī)會(huì)。YouTube能夠調(diào)整資產(chǎn)負(fù)債表,,并試圖將TikTok創(chuàng)作者納入麾下,。

對(duì)于制作較長(zhǎng)視頻(例如化妝教程和自制裝飾)的創(chuàng)作者來(lái)說(shuō),YouTube平臺(tái)長(zhǎng)期以來(lái)一直非常重要,,這要?dú)w功于其AdSense收入分成模式,,該模式為YouTube合作伙伴(擁有1,000名訂閱者和4,000小時(shí)觀看時(shí)長(zhǎng)的博主)提供55%的廣告收入,包括在長(zhǎng)視頻內(nèi)容里投放的插播廣告,、內(nèi)置廣告和緩沖廣告收入,。由于AdSense收入分成模式,野獸先生(MrBeast),、瑞特和林克(Rhett & Link)和基萌(Markiplier)等頂級(jí)YouTube博主的年收入都超過(guò)了3,000萬(wàn)美元,,鞏固了他們作為地球上收入最高的創(chuàng)作者的地位。

據(jù)該公司稱,,YouTube Shorts是2021年推出的與TikTok競(jìng)爭(zhēng)的短視頻剪輯平臺(tái),,目前該平臺(tái)的日點(diǎn)擊量達(dá)到300億次。

在9月20日的“YouTube創(chuàng)作”活動(dòng)中,首席產(chǎn)品官尼爾·莫漢強(qiáng)調(diào)了短視頻內(nèi)容的重要性,,他宣布就“任何規(guī)模性平臺(tái)而言”,,YouTube首次為短視頻博主提供“真正的收入分成”。

視頻創(chuàng)作者的新收入來(lái)源

特雷爾·約瑟夫和賈瑞斯·約瑟夫二人是內(nèi)容創(chuàng)作者,,他們說(shuō),,作為同性家長(zhǎng),他們通過(guò)在TikTok,、Instagram和YouTube上發(fā)布關(guān)于家庭生活的視頻,,每年從數(shù)百萬(wàn)粉絲那里賺取七位數(shù)的收入,如今,,他們正優(yōu)先考慮在YouTube發(fā)布內(nèi)容,。

賈瑞斯說(shuō):“只要你有一個(gè)可以獲得更多收益的平臺(tái),你就會(huì)轉(zhuǎn)向這個(gè)平臺(tái),。YouTube非常睿智,,一直保持著競(jìng)爭(zhēng)力。任何想要全職從事這項(xiàng)工作或以此謀生的人都會(huì)更傾向于使用這個(gè)他們知道自己能夠賺錢(qián)的平臺(tái),?!?/p>

此舉意味著,無(wú)論是瓦希德這樣的大創(chuàng)作者,,還是你的化妝師朋友這樣社交影響力迅速增長(zhǎng)的小創(chuàng)作者,,都可以從上傳短視頻到Shorts中獲利。即便如此,,這些創(chuàng)作者不應(yīng)該期望自己能夠像野獸先生那樣獲得豐厚報(bào)酬,。與300萬(wàn)創(chuàng)作者合作的網(wǎng)紅經(jīng)紀(jì)公司Influential的首席執(zhí)行官瑞安·德特爾特表示:“我們可以將其視為零工經(jīng)濟(jì)的延伸。一些[YouTube Shorts創(chuàng)作者]將變得非常富有,;大多數(shù)人將得到足夠的補(bǔ)償,。”

YouTube還沒(méi)有透露它計(jì)劃如何在短視頻中嵌入廣告,。像涂和約瑟夫二人這樣的頂級(jí)創(chuàng)作者懷疑,,YouTube短片的廣告收入能否有效補(bǔ)充他們的收入,因?yàn)樗麄儚钠放仆茝V中賺取了巨額收益,。這些創(chuàng)作者期望從緩沖廣告或5秒廣告中獲得較低的千人成本(CPMs),,而不是從YouTube長(zhǎng)視頻中投放的30秒廣告中獲得豐厚回報(bào)。

到目前為止,,沒(méi)有跡象表明YouTube打算與Shorts創(chuàng)作者簽訂獨(dú)家合同,。但是,如果YouTube希望創(chuàng)作者將Shorts視為他們的“首發(fā)”平臺(tái),,傾注全力創(chuàng)作專為Shorts制作的視頻,,然后再把這些視頻轉(zhuǎn)發(fā)到其他平臺(tái),,涂說(shuō)YouTube需要用有效報(bào)酬來(lái)向博主證實(shí)轉(zhuǎn)換平臺(tái)是合理的。

不過(guò),,她說(shuō):“對(duì)創(chuàng)作者而言,,置身于這樣一個(gè)領(lǐng)域確實(shí)令人興奮,他們不僅能夠通過(guò)所做的所有事情來(lái)獲得報(bào)酬(包括超出內(nèi)容創(chuàng)作者范圍的事情)——比如進(jìn)行品牌推廣,、推出播客,、書(shū)籍、課程或其他內(nèi)容——還可以直接從受益最大的平臺(tái)獲得報(bào)酬,?!?/p>

當(dāng)記者們關(guān)注YouTube和TikTok之間的競(jìng)爭(zhēng)時(shí),創(chuàng)作者們主要關(guān)心的是如何獲得報(bào)酬,。如果他們能夠在YouTube Shorts上發(fā)掘出新的收入來(lái)源,,那就太好了。如果作為回應(yīng),,TikTok推出自己的廣告收入分成計(jì)劃,,那就更好了。因?yàn)閯?chuàng)作者的成功是由算法驅(qū)動(dòng)的,,他們會(huì)繼續(xù)在所有社交平臺(tái)上發(fā)視頻,努力在最大限度上延長(zhǎng)職業(yè)壽命和增加收入,。

別的不說(shuō),,YouTube的新分成計(jì)劃可能會(huì)給普通社交媒體用戶一個(gè)嘗試創(chuàng)作短視頻來(lái)獲取收入的理由?!白鳛橐晃欢桃曨l創(chuàng)作者,,想要獲得可觀的收入是非常困難的。這個(gè)競(jìng)爭(zhēng)環(huán)境非常公平,?!蓖呦5抡f(shuō)?!艾F(xiàn)在,,任何人都有機(jī)會(huì)跳槽和辭職?!保ㄘ?cái)富中文網(wǎng))

譯者:中慧言-王芳

亞當(dāng)·瓦希德在TikTok平臺(tái)上有1,500萬(wàn)粉絲,,有60億YouTube點(diǎn)擊量。他正從洛杉磯的家開(kāi)車前往棕櫚泉,,出席僅限受邀者才能夠參加的“YouTube創(chuàng)作”(Made on YouTube)峰會(huì),。然而,瓦希德在TikTok上創(chuàng)作的內(nèi)容比在其他任何平臺(tái)創(chuàng)作的內(nèi)容都多,。通過(guò)在TikTok上發(fā)布制作精良的搞笑短視頻,,瓦希德在該平臺(tái)上獲得了3.52億點(diǎn)贊,去年賺了730萬(wàn)美元,這些收入主要來(lái)自代言合同,。

但瓦希德表示,,在上周YouTube宣布將開(kāi)始把廣告整合到Y(jié)ouTube Shorts中,并為創(chuàng)作者提供45%的收入分成之后,,他已經(jīng)準(zhǔn)備好將自己的內(nèi)容戰(zhàn)略重心轉(zhuǎn)向YouTube Shorts——YouTube上TikTok短視頻的競(jìng)爭(zhēng)者,。瓦希德告訴《財(cái)富》雜志:“這將改變游戲規(guī)則?!?/p>

YouTube希望瓦赫德——以及其他博主——可以帶頭涌向Shorts平臺(tái),,幫助其在一場(chǎng)代價(jià)越來(lái)越高的影響力和網(wǎng)紅爭(zhēng)奪戰(zhàn)中趕上TikTok。盡管瓦希德對(duì)YouTube的新項(xiàng)目充滿熱情,,但其收入分成計(jì)劃是否會(huì)真正改變爆火短視頻的力量平衡,,從而向YouTube傾斜還有待觀察。

許多創(chuàng)作者都將生計(jì)押在視頻爆火上,,因此,,針對(duì)不同平臺(tái)進(jìn)行優(yōu)化絕非易事。雖然專業(yè)創(chuàng)作者傾向于在每個(gè)平臺(tái)發(fā)布不同版本的內(nèi)容相同的視頻,,以最大限度地提高受眾參與度和報(bào)酬,,但決定最先在哪個(gè)平臺(tái)發(fā)布視頻非常重要,這可能會(huì)影響代言協(xié)議,、點(diǎn)擊量和好評(píng)度,。

《財(cái)富》雜志采訪的幾位主要?jiǎng)?chuàng)作者稱,YouTube的收入分成是一個(gè)可喜的進(jìn)展,,但他們不會(huì)立即把所有內(nèi)容都轉(zhuǎn)向YouTube,。關(guān)于創(chuàng)作者需要做些什么才能夠讓自己的視頻有資格獲得YouTube Shorts的分成仍然存在許多問(wèn)題:創(chuàng)作者能否從最先發(fā)布到TikTok上的內(nèi)容中獲利?創(chuàng)作者可以從短片廣告中賺多少錢(qián),?如果YouTube Shorts上的廣告是不能夠跳過(guò)的,,那為什么觀眾就可以在TikTok上滑走廣告的情況下觀看YouTube Shorts上的內(nèi)容呢?

薇薇安·涂(YourRichBFF,,你最要好的有錢(qián)朋友)說(shuō):“我懷疑分成到底有多少,。”她的個(gè)人理財(cái)短視頻在TikTok上吸引了200萬(wàn)粉絲,,在YouTube上只有5.5萬(wàn)訂閱者,。“我確實(shí)認(rèn)為,,如果(YouTube Shorts)變得更有利可圖,,你看到你的朋友或其他創(chuàng)作者取得成功并獲得收入,那就絕對(duì)是值得考慮的事情,?!?/p>

YouTube的舉動(dòng)說(shuō)明了YouTube,、Snap和Meta等社交媒體公司所面臨的風(fēng)險(xiǎn),這些公司的廣告業(yè)務(wù)都建立在吸引大量觀眾到其平臺(tái)的基礎(chǔ)上,。網(wǎng)紅可靠的吸引力可見(jiàn)一斑,,而短視頻——大多在60秒以內(nèi)——是目前的爆款之一。

當(dāng)然,,TikTok在短視頻領(lǐng)域占據(jù)主導(dǎo)地位,。但這個(gè)中國(guó)的字節(jié)跳動(dòng)公司旗下、運(yùn)營(yíng)了五年的平臺(tái),,并沒(méi)有向那些爆火視頻博主提供任何有效的經(jīng)濟(jì)補(bǔ)償,,而且這些視頻的點(diǎn)擊量往往高達(dá)數(shù)千萬(wàn)甚至數(shù)億。涂指出,,她的收入中只有不到1%來(lái)自TikTok的創(chuàng)作者基金(Creator Fund),,這是該公司為每月點(diǎn)擊量超過(guò)10萬(wàn)次的博主提供的收入,但該公司并未對(duì)該收入做出明確規(guī)定,。TikTok沒(méi)有向創(chuàng)作者支付報(bào)酬,,這為市值1.3萬(wàn)億美元的Alphabet集團(tuán)旗下的YouTube創(chuàng)造了機(jī)會(huì)。YouTube能夠調(diào)整資產(chǎn)負(fù)債表,,并試圖將TikTok創(chuàng)作者納入麾下,。

對(duì)于制作較長(zhǎng)視頻(例如化妝教程和自制裝飾)的創(chuàng)作者來(lái)說(shuō),YouTube平臺(tái)長(zhǎng)期以來(lái)一直非常重要,,這要?dú)w功于其AdSense收入分成模式,,該模式為YouTube合作伙伴(擁有1,000名訂閱者和4,000小時(shí)觀看時(shí)長(zhǎng)的博主)提供55%的廣告收入,包括在長(zhǎng)視頻內(nèi)容里投放的插播廣告,、內(nèi)置廣告和緩沖廣告收入。由于AdSense收入分成模式,,野獸先生(MrBeast),、瑞特和林克(Rhett & Link)和基萌(Markiplier)等頂級(jí)YouTube博主的年收入都超過(guò)了3,000萬(wàn)美元,鞏固了他們作為地球上收入最高的創(chuàng)作者的地位,。

據(jù)該公司稱,,YouTube Shorts是2021年推出的與TikTok競(jìng)爭(zhēng)的短視頻剪輯平臺(tái),目前該平臺(tái)的日點(diǎn)擊量達(dá)到300億次,。

在9月20日的“YouTube創(chuàng)作”活動(dòng)中,,首席產(chǎn)品官尼爾·莫漢強(qiáng)調(diào)了短視頻內(nèi)容的重要性,他宣布就“任何規(guī)模性平臺(tái)而言”,,YouTube首次為短視頻博主提供“真正的收入分成”,。

視頻創(chuàng)作者的新收入來(lái)源

特雷爾·約瑟夫和賈瑞斯·約瑟夫二人是內(nèi)容創(chuàng)作者,他們說(shuō),,作為同性家長(zhǎng),,他們通過(guò)在TikTok,、Instagram和YouTube上發(fā)布關(guān)于家庭生活的視頻,每年從數(shù)百萬(wàn)粉絲那里賺取七位數(shù)的收入,,如今,,他們正優(yōu)先考慮在YouTube發(fā)布內(nèi)容。

賈瑞斯說(shuō):“只要你有一個(gè)可以獲得更多收益的平臺(tái),,你就會(huì)轉(zhuǎn)向這個(gè)平臺(tái),。YouTube非常睿智,一直保持著競(jìng)爭(zhēng)力,。任何想要全職從事這項(xiàng)工作或以此謀生的人都會(huì)更傾向于使用這個(gè)他們知道自己能夠賺錢(qián)的平臺(tái),。”

此舉意味著,,無(wú)論是瓦希德這樣的大創(chuàng)作者,,還是你的化妝師朋友這樣社交影響力迅速增長(zhǎng)的小創(chuàng)作者,都可以從上傳短視頻到Shorts中獲利,。即便如此,,這些創(chuàng)作者不應(yīng)該期望自己能夠像野獸先生那樣獲得豐厚報(bào)酬。與300萬(wàn)創(chuàng)作者合作的網(wǎng)紅經(jīng)紀(jì)公司Influential的首席執(zhí)行官瑞安·德特爾特表示:“我們可以將其視為零工經(jīng)濟(jì)的延伸,。一些[YouTube Shorts創(chuàng)作者]將變得非常富有,;大多數(shù)人將得到足夠的補(bǔ)償?!?/p>

YouTube還沒(méi)有透露它計(jì)劃如何在短視頻中嵌入廣告,。像涂和約瑟夫二人這樣的頂級(jí)創(chuàng)作者懷疑,YouTube短片的廣告收入能否有效補(bǔ)充他們的收入,,因?yàn)樗麄儚钠放仆茝V中賺取了巨額收益,。這些創(chuàng)作者期望從緩沖廣告或5秒廣告中獲得較低的千人成本(CPMs),而不是從YouTube長(zhǎng)視頻中投放的30秒廣告中獲得豐厚回報(bào),。

到目前為止,,沒(méi)有跡象表明YouTube打算與Shorts創(chuàng)作者簽訂獨(dú)家合同。但是,,如果YouTube希望創(chuàng)作者將Shorts視為他們的“首發(fā)”平臺(tái),,傾注全力創(chuàng)作專為Shorts制作的視頻,然后再把這些視頻轉(zhuǎn)發(fā)到其他平臺(tái),,涂說(shuō)YouTube需要用有效報(bào)酬來(lái)向博主證實(shí)轉(zhuǎn)換平臺(tái)是合理的,。

不過(guò),她說(shuō):“對(duì)創(chuàng)作者而言,,置身于這樣一個(gè)領(lǐng)域確實(shí)令人興奮,,他們不僅能夠通過(guò)所做的所有事情來(lái)獲得報(bào)酬(包括超出內(nèi)容創(chuàng)作者范圍的事情)——比如進(jìn)行品牌推廣、推出播客,、書(shū)籍,、課程或其他內(nèi)容——還可以直接從受益最大的平臺(tái)獲得報(bào)酬,。”

當(dāng)記者們關(guān)注YouTube和TikTok之間的競(jìng)爭(zhēng)時(shí),,創(chuàng)作者們主要關(guān)心的是如何獲得報(bào)酬,。如果他們能夠在YouTube Shorts上發(fā)掘出新的收入來(lái)源,那就太好了,。如果作為回應(yīng),,TikTok推出自己的廣告收入分成計(jì)劃,那就更好了,。因?yàn)閯?chuàng)作者的成功是由算法驅(qū)動(dòng)的,,他們會(huì)繼續(xù)在所有社交平臺(tái)上發(fā)視頻,努力在最大限度上延長(zhǎng)職業(yè)壽命和增加收入,。

別的不說(shuō),,YouTube的新分成計(jì)劃可能會(huì)給普通社交媒體用戶一個(gè)嘗試創(chuàng)作短視頻來(lái)獲取收入的理由?!白鳛橐晃欢桃曨l創(chuàng)作者,,想要獲得可觀的收入是非常困難的。這個(gè)競(jìng)爭(zhēng)環(huán)境非常公平,?!蓖呦5抡f(shuō)?!艾F(xiàn)在,,任何人都有機(jī)會(huì)跳槽和辭職?!保ㄘ?cái)富中文網(wǎng))

譯者:中慧言-王芳

Adam Waheed, who has 15 million TikTok followers and has garnered 6 billion views on YouTube, is driving from his Los Angeles home to Palm Springs for the invite-only “Made on YouTube” summit. Waheed, however, was made on TikTok more than he was on any of the other platforms he uses. By posting highly produced short-form slapstick comedy sketches to TikTok, Waheed attracted 352 million likes on the platform and earned $7.3 million last year, largely from endorsement deals.

But Waheed says he’s ready to make YouTube Shorts—YouTube’s TikTok competitor—a much bigger part of his content strategy, followed last week’s announcement that YouTube would start integrating ads into Shorts and share 45% of the revenue with creators. “It’s a game changer,” Waheed told Fortune.

YouTube hopes that Waheed—and others of his ilk—will be at the front of a stampede to its Shorts platform, helping it to catch up with TikTok in an increasingly pricey battle for influence and influencers. While Waheed is enthusiastic about the new YouTube program, it remains to be seen whether the revenue sharing program will actually shift the balance of power for short, viral video clips in YouTube’s favor.

Many creators are betting their livelihoods on virality, and optimization for different platforms is no small matter. While professional creators tend to post versions of the same content to every platform to maximize engagement and pay, simply choosing which platform to post a video on first is an important decision that can affect endorsement deals, viewer volume and critical reception.

Several major creators Fortune spoke to said that YouTube’s payouts were a welcome development, but showed little immediate inclination to go all-in on YouTube. There are still many questions about what a creator needs to do for their videos to qualify for YouTube Shorts’ payouts: Can creators earn on content initially posted to TikTok? How much can creators make on short-form ads? If the ads on Shorts are unskippable, why would viewers watch content on the platform when they can swipe by ads on TikTok?

“I’m questioning how good that payout can truly be,” says Vivian Tu (YourRichBFF), whose short-form personal finance videos have garnered her 2 million TikTok followers and just 55,000 YouTube subscribers. “I do think that if [YouTube Shorts] becomes a more lucrative thing, and you see your friends or other creators having success and making money, it’s definitely something to consider.”

YouTube’s move speaks to the stakes for social media companies like YouTube, Snap and Meta, whose advertising businesses are founded on attracting large audiences to their platforms. Internet influencers are a reliable draw, and short video clips—mostly under 60 seconds—are one of the hottest commodities right now.

TikTok, of course, dominates the short video category. But the five-year-old platform, owned by China’s ByteDance, doesn’t provide any meaningful financial compensation to the people whose clips go viral, and often rack up tens, or hundreds, of millions of views. Tu notes that less than 1% of her earnings come from TikTok’s Creator Fund, the company’s ill-defined income stream for users who attract over 100,000 views in a month. Lack of payments to creators has left an opening for YouTube, which is owned by the $1.3 trillion Alphabet conglomerate, to flex its balance sheet and try to pull TikTok’s creators into its orbit.

For creators who produce lengthier videos, like makeup application tutorials and decor DIYs, YouTube has long been an important platform thanks to its AdSense revenue sharing model, which gives YouTube Partners (users with 1,000 subscribers and 4,000 watch hours) 55% of revenue from pre-, mid-roll and bumper ads on their long-form video content. Because of AdSense, top YouTubers like MrBeast, Rhett & Link and Markiplier are all making upwards of $30 million a year, cementing them as the highest-paid creators on the planet.

YouTube Shorts, the short video clip platform launched in 2021 to compete with TikTok, now gets 30 billion daily views, according to the company.

At the Made for YouTube event on September 20, Chief Product Officer Neal Mohan stressed the importance of bite-sized video content as he announced what he described as the first “real revenue sharing” ever offered for short form video “on any platform at scale.”

A new source of revenue for video creators

For married content creator couple Terrell and Jarius Joseph—who say they make seven-figures annually from their millions of followers by posting to TikTok, Instagram and YouTube about family life as gay parents—are now thinking YouTube-first.

“Whenever you have a platform offering more, you’re going to lean into that platform,” says Jarius. “YouTube was very smart and is staying competitive. Anyone looking to do this full-time or make a living will lean more into that platform where they know they can make money.”

The move means that creators as big as Waheed and as small as your makeup artist friend with a burgeoning social presence stand to profit from uploading short-form video to Shorts. That said, these creators should not expect to make MrBeast money instantly. “Think of this as an extension of the gig economy,” says Ryan Detert, CEO of influencer agency Influential that works with 3 million creators. “Some [YouTube Shorts creators] will become very wealthy; most will become adequately compensated.”

YouTube has not revealed how exactly it plans to embed ads in its short-form videos. Top creators like Tu and the Josephs are skeptical that the ad revenue from YouTube shorts will meaningfully complement their earnings as they make enormous sums from brand deals. These creators expect low CPMs from bumper modules or five-second ads, rather than fat checks from the 30-second ads YouTube runs on long-form.

So far, there’s no indication that YouTube intends to sign Shorts creators to exclusive contracts. But if YouTube wants creators to think of Shorts as their “first” platform, devoting their efforts to creating videos that are intended for Shorts and then reposting the clips to other platforms, Tu says they’ll need to justify the shift with meaningful payouts.

Still, she said, “it’s really exciting for creators to be in a space where they can not only get paid through all the things they do outside of just being content creators–such as taking brand deals, launching podcasts, books, courses or whatever—but also getting paid directly from the platforms that are benefiting the most.”

While journalists focus on the rivalry between YouTube and TikTok, creators are primarily concerned about getting paid. If they can tap a new source of revenue on YouTube Shorts, great. If TikTok responds by introducing its own ad revenue sharing scheme, even better. Because creators’ success is driven by algorithms, they will continue to post to all social platforms in effort to maximize career longevity and earnings.

If nothing else, YouTube’s new payment program may give average social media users a reason to try their hand at creating money-making short videos. “It’s been very difficult to be a short-form creator and make a sizable income. This is leveling the playing field,” says Waheed. “Now, anybody has the opportunity to just jump and quit their jobs.”

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